A wonderful evening in Excelsior Springs, Mo

From Minneapolis to  Excelsior Springs, Mo

On a trip to drop my son off with his grandparents in Arkansas I had a two day trip back to do as I pleased. I had always thought of stopping by Excelsior Springs to visit Cathy Johnson. Cathy is an artist I greatly admire and helped me with advice and encouragement and a great example of living by art.


These are roughly in the order I sketched them. 90% on site work.  The last 10% was line weight ramp up and some color touchup.  It was getting dark, and I will admit a little creepy being the only one walking around downtown once it got dark.



Cathy and her husband Joseph graciously welcomed me in.  I had no idea if they only had time for a quick visit but it turns out we all went to dinner together at a beautiful hotel downtown.  The restaurant at The Elms is quite beautiful and food was great.  As soon as the food was done the sketchbooks came out!


Neat little building corner.  I think it was the Mill Inn. I need to go back and put the lettering in.


It was starting to get dark and the color got away from me. This building isn't really green, but now that I have some distance on my frustration that it turned green I really like it. Always be careful with mixing yellow at night. You really can't see it so use about 1/3 as much yellow as you think. Or just go for it and have bright interesting colors the next day.  Either works!


This was just a neat building corner.

Such a wonderful evening.  After they left I had about 45 minutes to an hour of daylight and made a quick walking tour grabbing what sketches the light allowed.  I think I may have been one of 5 people out and about downtown.


The night before I loaded up two pages with color for some yet unknown project the next day.  Over breakfast I did these two drawings.  The family in front of me turned out to be an art teacher from Omaha that I wound up showing my sketches and paint kits to.  It is always fun to meet people.



Such a nice morning and beautiful patio to have breakfast at. I should have drawn the biscuits and gravy but they somehow went away to quickly!

James Nutt
www.nuttdraws.blogspot.com



15 years of Urban Sketching

15 Years of Urban Sketching

Lately I have been going through old files and boxes of art stuff.  I thought it would be fun to post drawings from 1999 to now.  I have an assortment like this on my Behance page hhttps://www.behance.net/JamesNutt.

Roughly in chronological order..... 2014 to 1999


























Thanks for looking and I hope you enjoy seeing these as much as I did revisiting them.

Keep Drawing

James Nutt AIA
www.nuttdraws.blogspot.com

A Visit To Red Door Studio #207

A Visit To A Red Door Studio #207

We don't have the space yet, but today we spent a few hours touring and meeting a few of the other artists.  I took several photos and thought I would share.

The studio itself

Out side our space.... since this building is secure...the corridor is also a gallery. We have 1 wall and a space out front that we have complete control over.  A permanent gallery. How awesome! Ours is the red door.


This is a main corridor leading to our space.  We met several of the artist today. Super cool and great people. Amazing stuff on the walls.


This is part of the main gallery corridor public space.



Another shot of the communal space



THE INTERIOR

The red door is our entrance. I have learned that ours is called "The Red Door Studio"  works for me!  There are temp tenants (shown here) setting up for a big party tonight.






Another Amenity

Upstairs is HUGE space that will be available to us, parties, weddings etc. It also has roof access!


AND.. they bought Johnny Cash's bar of 17 years for the space. The Cash museum sold off a lot of furniture.  Can you imagine the conversations around this thing?  Wow


Down stairs - Indeed Brewery - Last night I met Dave Buchanan for a beer and got this panorama.


Leo had a good time and even outside with the melted snow.



The new directory is being created.


Expect sketches of these views!


We met several people today and really enjoyed meeting Michael who has a real passion for the place.

Now, we just need to wait for May 1st!

www.nuttdraws.blogspot.com

Nuttdraws Gets a New Home! The Solar Arts Building! (Above the Indeed Brewery in NE Minneapolis)

WE HAVE A SPACE IN THE NE ARTS COMMUNITY! STUDIO #207 IN THE SOLAR ARTS BUILDING WILL BE THE NEW HOME OF NUTTDRAWS AND C+N STUDIO ON MAY 1ST 2014!

Our new home away from home - http://solarartsbuilding.com

I am so excited.  For the past 8 years I have had a dream of being a part of the NE Arts community and especially Art-A-Whirl (http://nemaa.org/art-a-whirl). I would go every year and it would be painful because I thought, " I could do this, but I am not."  Last year it was more enjoyable because I was producing and I thought, "how great would it be a part of this scene and have a space."

Almost a year ago at my St Paul Almanac showing a few friends started talking about getting a space together. Stephanie started looking and over time found the Solar Arts building.  Marcy got on board and quickly this whole dream became real. We lost our first space to a group of poets.  (You don't get to say that everyday) but another space opened up and we jumped on it!

So, believe it or not, we now have a space AND will be in Art a Whirl.  And in true James and Marcy Fashion the show is 2 weeks after we get the space! We have a lot of work to do.

Marcy and I will share a space together.  Our small upstairs in our house will be almost empty because it still has the C+N furniture plus my 4'x5' motorized drawing desk and all that goes with my art. So we also get another room in our house!  

Our studio mates are the talented Stephanie Dunn  (http://www.stephaniedunndesign.com) and Holly Scholl  (http://www.hollyschollphotography.com/) in the other spaces. We are in negotiations with a 5th person to make it affordable. We also plan to make the space available to rent as a temporary photo studio.

The building has open house nights on First Thursdays and features the artist on the site (http://solarartsbuilding.com/the-artists/).  

My hope is to have a place to create art, meet other artist, and hopefully sell and take commissions. I am really looking forward to meeting the community.  

Being above a taproom doesn't hurt either.....

I also hear chocolate and sandwiches are on their way too!



The building!


The "not yet ours" space.


Our front door! (We will work on that)

 I am excited enough it has been hard to sleep!  Visit if you can!

James Nutt, AIA
www.nuttdraws@hotmail.com




An invited visit to the Clevelander and the Essex House (Combined Posts)

((Disclaimer - this post is a combination of previous trips about the post.  I have shared this story with enough people and have decided that it is a lot to expect people to find and click all 4 posts! Note that I still have progress posts to polish and post. ))

Since these original posts I have touched up, made final scans, and have posted the images on my Behance site. I would love for you to visit them because the blogged shots are simply from my iphone.... http://www.behance.net/gallery/Miami-Beach-At-the-Clevelander/14205969

I have since been in touch with the wonderful people who invited me. There are talks of other visits to see the awesome show at the Marlin's opener and other opportunities.  Very fun.... Especially since my Free People Store on Collins Ave is almost open and my chance at more trips are coming to an end.

Now, the whole story...all in one place...

Let's make up a trip.  A day dream.  Let's say you are on routine (getting a building permit) business trip for your client (Free People). This usually means travel to a beautiful places and having evenings to yourself. Say you do this (twice) in Miami Beach. Say you are a constant sketcher and stop at a very cool outdoor bar with this crazy shape that just has to be sketched. You pull out your kit, order your beer and just play while imagining this was your job.  ( I love my job but I would love for this to define my semi retirement) Say a few sketches really pop and you put it on your meager little blog online wondering who will enjoy it. AND what if the hotel saw it, and loved it, and called you about it. They say, I don't know what I want to do, but you have captured the spirit, etc etc.  What if they called you on the coldest day in Minnesota (-14 degrees - 44 windchill) in a decade and said, "We have decided to pay for your flight, and take care of you while you are here.  Just pick something before it gets crazy in February and we won't even give you direction. Just come and feel taken care of and do what you do." Add to this daydream that you didn't take vacation this year and decided to cash in miles and have  Marcy and Leo crash your room?  Then the hotel says that's fine and we will pick you all up and they can eat too!  Yeah right....dream on sucker! All you did was enjoy your beer and the beautiful people, and the pigments swirling around on your little sketch book. 

WELL, THIS DID HAPPEN, I KEPT WAITING FOR IT TO FALL APART AND IT KEPT GETTING MORE AND MORE REAL. NOW IT IS DONE AND IT STILL FEELS SUREAL. THANK YOU CLEVELANDER AND ESSEX HOUSE AND TOM BURCHETT, MIKE PALMA, IAN ABDON,AND CHRISTINA WARD! VIP TREATMENT TO A PERSON!

Anyone who follows my blog knows I love other people's process and assume people like to see mine. I have documented the trip. I produced about 14 images onsite and have plans for about 5 more. For the images on site I took periodic pictures. ( I also teach and these come in handy). I plan to to post the semi final images in about 3 blogs and then the process for each image later for the process junkies like me.

This first series is intended to give you a sense of what we left...frozen Minneapolis and crazy work...to being literally pampered in a beautiful hotel room and warm palm trees. I still feel like it was a dream although it was only earlier this week.

TO BEGIN:

I took this picture yesterday morning to show the people in Miami. This is the view outside my office. The little squares are ice houses. It looks like a small skyline but the frozen lake is large and flat and these houses are a long distance apart. But, this is just for reference as we head to Miami!



This morning we finished packing and woke up with what we thought was enough time. It had really snowed the night before and the car was covered and the trip in was slow with blowing snow. 

I travel a lot. However I was shocked at how packed the airport was. I never fly Sat morning, and this was alarming. Thank goodness for the family line they put us in or we wouldn't have made it.  We also stopped in the middle of the concourse and decided to CRAM everything together and skip the bag check in line. This was the move that let us make our flight. Well, that and bringing handsome Leo.  




\\










Warm ups on the plane. 

This is an image in top of a previously inked page. This is white gouache over the top of the dried ink.



Just some general sketching and painting to pass the time and warm up.  (I notice my palm trees were much less practiced than they are now as I am proof reading this!)


But after 6 hours of conference calls (3 projects) on Friday, a crazy crazy sat morning airport and barely making it (despite being there early), my butt is seated,  the email is set to manual, and I am on vacation and ready to relax and sketch. 



For warm ups I was able to knock out a couple of sketches for EVERY DAY MATTERS on the iPad


We did make it on to Miami and on time enough. We were picked up by the hotel and as such started our wonderful trip.




Once we land, Leo is still on board and carrying his weight.


Dinner

Dinner at the Clevelander and surprised that the main street closed to traffic for the Art Deco weekend!



Back in the room we are greeted with a bottle of wine and chocolate covered oreos....Plus a phone call from Ian....Seriously..we are treated well.

Isn't she just a beautiful person? I love this woman.


Leo LOVED the cookies...Loved them...Still talks about them...




Leo enjoying the room decor.....


Breakfast at a place that Marcy and I had a date back in ...well I don't like to think about the math but it was one of our first and we were here for the AIAS convention before we graduated and we were just dating then. I still remember the date vividly and eat here every time I visit.

I will post the rest of the sketches in other blogs (this is long enough) but it REALLY was a great vacation. We REALLY were taken care of in a way that I hadn't before. I REALLY felt appreciated for my art in a way that I never have before...so thank you. Everyone to a person was fantastic to us. Even when Leo was grumpy in the high end (AMAZING FOOD! WOW) Zen Sai.

Now to the sketches....I hope you open the next blog.


NEXT....REPOSTED FROM THE FIRST NIGHT OF SKETCHING






THE CLEVELANDER POOL AND PATIO

This image was done on site and the first sketch of my first night's drawing. I really enjoyed this one. After a great dinner and wandering around with Leo and Marcy I took off to sketch as Leo went to sleep.  I choose this spot because it is from the opposite viewpoint from the sketch that got me here.The guy taking care of me was awesome and would even watch my stuff as I took bathroom breaks.  This Patio is crazy with people and this huge DJ stage that throws lights and music everywhere.  This was drawn completely on site and in the dark. It is always a surprise to see how the colors actually turn out.  The yellow is hard to see and much brighter the next day int the light.  I did this on purpose this time because the stage throws so much light onto the palm trees, the buildings, and the people.  The stretched fabric up top is the SP 4 sun deck and the C Level is directly above my head. I roughed the scene in with a pencil to get the "big rocks" in place and then went at it with a Lumacolor "B" tip pen.  Then I erased the pencil and used my travel kit loaded with Horadam transparent gouache.

On a side note, it is a random world and while having lunch in this space two former Ryan Coworkers from Minneapolis turned up. Jared  Olson and Gretchen Lundberg  were returning from a cruise and stopped in for a drink.  How crazy random.


The original


THE CLEVELANDER DJ

Sketch #2 of the first night.  This is the one sketch that keeps evading me.  This is my 4th or 5th attempt if you include my previous trips.  It is ok, but my least favorite of the trip. However, it was really fun to do.  It was a first attempt of on site ink wash (I loaded a water brush with Noodlers Polar Black and used a second water brush pen to control the water and flow).  Once I brought the image into Photoshop to reduce and send to the owner I accidentally hit inverse and like that better. I have pre prepped a few watercolor pages for a 6th attempt off of reference photos. This will not beat me.... It will not...


C LEVEL

C Level is a smaller but kind of exclusive bar on the roof top.  Lots of beautiful people very well dressed and having a good time. The views of the ocean and the skyline are simply amazing and there is a neon colored water fall that runs an entire wall. It was a little cool and windy while up this night so the waterfall wasn't in use, but I am told it is crazy and I believe it. It was cold enough I had a light jacket on.  I am supposed to do another sketch from images that will be sent to me.  Amusingly I was talking to guy (who happened to be a local architect about my age) and his girlfriend offered to trade me her dress for my jacket.  I think I can save this image by working on the entourage from photos.  If you are wondering....yes I still have my jacket.  Lumacolor "B" pen with my travel kit of Horadam gouache and Niji water pen.

At This point it was pretty late after the flight, the wandering, and the three sketches. I don't want to say what time it was but I can say the place was still going way stronger than I could ever think about going. It is very cool to have the very quiet, original, and historic Essex House and the constant party of the Clevelander and it's rooms separate.  They very much have everything covered here....What a crazy night.


This blog is Part 2 of the sketches done on site for our wonderful Miami Beach trip at the Clevelander and the Essex House. I have blogs about the process of each coming very soon. 




AND THE REST OF THE SKETCHES REPOSTED



All of  images are on "hand book, water color wire bound books. All but the three studies are about 3 times bigger than what I typically carry and work on when doing plien air and urban sketching.  This is much larger than I usually work and now my regular size just seems so small!



The remaining images and a little backstory....











I really enjoyed this little moment. 

THE ESSEX HOUSE SUITES COURTYARD

Every time we left our suite or looked out of the window we were greeted by this view.  One day it rained and I swear you could see it growing.  I did a very quick study in my normal sketchbook below a day before tackling this head on. The larger sketch was really fun because both Leo and Marcy were sketching next to me the whole time. The stretched fabric in the top of the picture is the party sun deck called SP 4.  I loved that you could see the party area from such tranquility.  While sketching from this stoop (not ours) I met and had to move for two of the most beautiful people I saw all week.  At this point in the week I had moved away from the fatter lumacolor pen. I love the "B" tip  pen but I was really enjoying drawing the foliage and the flex nib Noodlers Ahab (Polar Black Noodlers ink) was perfect.  I ran that pen out of ink twice on this trip. I took a lot of progress shots of this image that will be fun to blog. This is probably my favorite sketch of the trip. 




INK WASH ROCKET

In the Lobby of the Essex there is this great sculpture by a gentlemen I hope to get the name of.  I was sitting at the lobby bar looking over my sketches and photos to plan out my sketch strategy the next day.  It was late for me but early for Miami and I was the only person in the the small but beautiful Zen Sai hotel bar .  To make a long but interesting story short three very drunk people came and literally leaned on me (the entire room was empty) while they tried to hook up. ( favorite conversation - lady - Lady #2 "I like your watch" guy #1 "Yea! It's Big! And it's Gold!" While looking Lady #1 who says "where are your friends? (For the third time) I think you would be a better match for my daughter instead of me, she is beautiful, I have pictures, do you want to see them?" ).  Lady #2 reaches around and incredibly picks up my phone.  At that point I politely gather my stuff and set back up in the lobby in front of this sculpture.  The proportions were so perfect and it had to be sketched. Quick pencil, pen, erase the pencil and then ink wash.  I don't know what happened to the 3 people, they were gone when I settled out, but I sure they had fun because this place doesn't stop. The bar tender was a great guy and I enjoyed talking to him.  He enjoyed the sketches and took a picture of my Hipster watercolor for his girlfriend.  Tuesday night I had dinner at the same seat with a hilarious couple giving Julio and the rest of the staff a good natured hard time. I saw them again this morning before I left.



THE CLEVELANDER

This is an image they wanted of the Clevelander sign as seen from the beach road.  This image took a long time.  I will definitely  blog the process for this one.  I started during dinner with this view and sketched on this until about midnight.  Once I got the line work done and all of the colors down except the yellows and greens ( you just can't see yellow at night so I saved that for the next day) I moved into the patio area and worked on it until about midnight. The staff were interested in it and kept coming by to check on progress.  Some remembered me from the night before. I finished the yellow and greens on site at lunch the next day and worked on ramping up the line work. I really enjoyed this sketch.  These are just camera pictures and I can't wait to do the real scans and color balance. 




Noodlers Lexington Grey ink wash study with a second water pen.




  

Door study (these handles are much longer and more delicate but my sketchbook was short :). ). Noodlers Ahab flex nib fountain pen and Noodlers Polar Black ink.


THE ESSEX HOUSE ENTRY

The Essex House has an AMAZING area to sit at the entry doors.  I spent a few hours in this space on different occasions thinking how nice it is here and how cold it is in Minneapolis. I have a few more sketches in my head that will need to come out of details in this area.  The two smaller images are warm ups and studies. The larger image was done on site and originally as Noodlers Lexington Grey ink wash and my Pentel brush pen with Lexington Grey.  The sketch flowed just fine but Marcy and I were both underwhelmed by it.  It was just ok but everything was too mid toned.  While wandering with Marcy and Leo I went back over this with the fountain pen and black in while we ate lunch.  The line work on top of/ with the lex grey gave the life I was trying to convey.  Be another painting of this space oh the EH above the door that won't leave my head until it is painted.





BEAUTIFUL DRINKS

I would love to do a series on the drinks in this style. This is water color pencil and a flood of water.  Every time I would see a table with one of the really colorful drinks I would approach and while trying not to seem strange ask if I could photo graph it.  I want to do more of these and will blog the process.  I hope to tackle more from the photo graphs later.  







CHOCOLATE COVERED OREOS AS A WELCOME GIFT.

Ian took very good care of us.  Once we arrived we dropped off our stuff in the room. When we returned we were greeted with a bottle of wine and these chocolate covered Oreos. These also had to be sketched.  I took a picture of the tray and will most likely do another sketch.




This is the last sketch before I was picked up.  This is the entrance spire to the Essex House. A very stylized perspective to give honor to this great Art Deco corner and spire.  I can't wait to ink this.  I will use a black Pentel brush pen so the line weight is hopefully interesting.  I will then scan the line work because I would like to try water soluble graphite and get a night image and accentuate the lights.





CARTOON SKETCH PLAN

These two images are how I think big picture on the sketches I want to do and basic formatting. This is also where I decide what to do on site and what to take home.  I used these to walk through my ideas with the owners as well. 

I hope you enjoy the sketches at least half as much as enjoyed creating them. Many need final touch up, labeling and scanning but I was impatient to share!

What a trip....more entries to come. 

Keep Drawing

James Nutt AIA





















Miami Beach - The Process of the Clevelander Patio Pool Sketch

The first sketch





THE CLEVELANDER POOL AND PATIO

This image was done on site and the first sketch of my first night's drawing. I really enjoyed this one. After a great dinner and wandering around with Leo and Marcy I took off to sketch as Leo went to sleep.  I choose this spot because it is from the opposite viewpoint from the sketch that got me here.The guy taking care of me was awesome and would even watch my stuff as I took bathroom breaks.  This Patio is crazy with people and this huge DJ stage that throws lights and music everywhere.  This was drawn completely on site and in the dark. It is always a surprise to see how the colors actually turn out.  The yellow is hard to see and much brighter the next day int the light.  I did this on purpose this time because the stage throws so much light onto the palm trees, the buildings, and the people.  The stretched fabric up top is the SP 4 sun deck and the C Level is directly above my head. I roughed the scene in with a pencil to get the "big rocks" in place and then went at it with a Lumacolor "B" tip pen.  Then I erased the pencil and used my travel kit loaded with Horadam transparent gouache.


First I pencil in and try to get the big picture elements in place and the rough perspective.  All of these pencil marks will be erased, left, or sometimes completely ignored.


From here I will start to ink in the major parts. I am using a Lumacolor "B" tip which is much thicker than I typically use. It works great for this image but I will abandon it later in favor of my fountain pen because of all of the foliage.


Ink complete. If you look close you will see I change my mind from what is put down in pencil for the sake of of composition and and clarity.


My work station! Thank you Clevelander...


A last tweak before color


Now for the color. These pictures are taken with the iphone flash so I can check where I am. Yellow is trickly at night in and in other night sketches I save it for the next day. This scene is so crazy with the dj lights if I get it more bold it will be perfect for the atmosphere and light work.


Laying in the darks, you can see my minimal paint kit here. It is about decisions and not about variety.


Spot check


This is a crazy plaza.  So much fun to be in. Especially doing something you love.  Thanks again to the guy waiting on me. He took care of me and really watched my stuff during bathroom breaks.  Nicely done Sir.

The Hipster at Zen Sai - A peek at the process....


On my trip to sketch at the Clevelander they had an idea to sketch the big drinks they are famous for.  This was fun and this example was "The Hipster".  I thought it was interesting after seeing SO MANY hipsters in Minneapolis that I noticed the absence of Hipsters in Miami.

These are the only paintings on my trip that I didn't use my small gouache kit. For these I went with a method I played with on earlier studies using a lot of cara D 'Ache Museum Aquarelle water color pencils and then just flooding it and let the colors swirl. 

Step 1 - Order a hipster - for Marcy of course

Step 2 - A light outline to get the proportions right (this turned out to be 1:4).  This also included where the ice hits the glass to remind myself to keep them light.  After that I start to lay in some yellow and the darker red.


Step 3 - add the lighter reds, some glass reflections, and being careful not to go to the edge or bottom of the glass so it reads as transparent. 


Step 4 - The fun part.  Add the water. I try to control the edges but let the rest do its thing. The hard temptation is not to keep spreading it around inducing your will on it. The more you control it the less blossoming and hard edges happen.  Only did an ok job on not stepping into this one, but I was trying to get rid of the color marks when in lead form. 


Step 5 - add the back ground color. Notice the clip. I used that because the page was starting to buckle and make the color pool.  Once again I am trying to keep the edges of the glass clean, but letting things be if they don't. I am also adding loose detail to the raspberry. 


Step 6 - Using a fountain pen - Noodler's Ahab with Noodler's Polar Black - I try a loose outline once it has dried.  Note that the Polar black takes a while to dry and will react if the paper is at all wet so I recommend waiting until you are sure it has dried.


Also note that I did this off of a reference photo from my phone since it would be cruel to let Marcy's drink get watered down for the sake of my art.

I would love to do a series of these for all of their drinks.  I bothered a few poor people to let me take pictures of their drinks.  They probably thought I was crazy. These iPhone photos don't do the color justice.  I can't wait to get them scanned.

I hope you enjoyed this and keep drawing. 

James Nutt
www.nuttdraws.blogspot.com






Miami Beach - The Rest Of The On Site Sketches

This blog is Part 2 of the sketches done on site for our wonderful Miami Beach trip at the Clevelander and the Essex House. I have blogs about the process of each coming very soon. 



All of  images are on "hand book, water color wire bound books. All but the three studies are about 3 times bigger than what I typically carry and work on when doing plien air and urban sketching.  This is much larger than I usually work and now my regular size just seems so small!



The remaining images and a little backstory....











I really enjoyed this little moment. 

THE ESSEX HOUSE SUITES COURTYARD

Every time we left our suite or looked out of the window we were greeted by this view.  One day it rained and I swear you could see it growing.  I did a very quick study in my normal sketchbook below a day before tackling this head on. The larger sketch was really fun because both Leo and Marcy were sketching next to me the whole time. The stretched fabric in the top of the picture is the party sun deck called SP 4.  I loved that you could see the party area from such tranquility.  While sketching from this stoop (not ours) I met and had to move for two of the most beautiful people I saw all week.  At this point in the week I had moved away from the fatter lumacolor pen. I love the "B" tip  pen but I was really enjoying drawing the foliage and the flex nib Noodlers Ahab (Polar Black Noodlers ink) was perfect.  I ran that pen out of ink twice on this trip. I took a lot of progress shots of this image that will be fun to blog. This is probably my favorite sketch of the trip. 




INK WASH ROCKET

In the Lobby of the Essex there is this great sculpture by a gentlemen I hope to get the name of.  I was sitting at the lobby bar looking over my sketches and photos to plan out my sketch strategy the next day.  It was late for me but early for Miami and I was the only person in the the small but beautiful Zen Sai hotel bar .  To make a long but interesting story short three very drunk people came and literally leaned on me (the entire room was empty) while they tried to hook up. ( favorite conversation - lady - Lady #2 "I like your watch" guy #1 "Yea! It's Big! And it's Gold!" While looking Lady #1 who says "where are your friends? (For the third time) I think you would be a better match for my daughter instead of me, she is beautiful, I have pictures, do you want to see them?" ).  Lady #2 reaches around and incredibly picks up my phone.  At that point I politely gather my stuff and set back up in the lobby in front of this sculpture.  The proportions were so perfect and it had to be sketched. Quick pencil, pen, erase the pencil and then ink wash.  I don't know what happened to the 3 people, they were gone when I settled out, but I sure they had fun because this place doesn't stop. The bar tender was a great guy and I enjoyed talking to him.  He enjoyed the sketches and took a picture of my Hipster watercolor for his girlfriend.  Tuesday night I had dinner at the same seat with a hilarious couple giving Julio and the rest of the staff a good natured hard time. I saw them again this morning before I left.



THE CLEVELANDER

This is an image they wanted of the Clevelander sign as seen from the beach road.  This image took a long time.  I will definitely  blog the process for this one.  I started during dinner with this view and sketched on this until about midnight.  Once I got the line work done and all of the colors down except the yellows and greens ( you just can't see yellow at night so I saved that for the next day) I moved into the patio area and worked on it until about midnight. The staff were interested in it and kept coming by to check on progress.  Some remembered me from the night before. I finished the yellow and greens on site at lunch the next day and worked on ramping up the line work. I really enjoyed this sketch.  These are just camera pictures and I can't wait to do the real scans and color balance. 




Noodlers Lexington Grey ink wash study with a second water pen.




  

Door study (these handles are much longer and more delicate but my sketchbook was short :). ). Noodlers Ahab flex nib fountain pen and Noodlers Polar Black ink.


THE ESSEX HOUSE ENTRY

The Essex House has an AMAZING area to sit at the entry doors.  I spent a few hours in this space on different occasions thinking how nice it is here and how cold it is in Minneapolis. I have a few more sketches in my head that will need to come out of details in this area.  The two smaller images are warm ups and studies. The larger image was done on site and originally as Noodlers Lexington Grey ink wash and my Pentel brush pen with Lexington Grey.  The sketch flowed just fine but Marcy and I were both underwhelmed by it.  It was just ok but everything was too mid toned.  While wandering with Marcy and Leo I went back over this with the fountain pen and black in while we ate lunch.  The line work on top of/ with the lex grey gave the life I was trying to convey.  Be another painting of this space oh the EH above the door that won't leave my head until it is painted.





BEAUTIFUL DRINKS

I would love to do a series on the drinks in this style. This is water color pencil and a flood of water.  Every time I would see a table with one of the really colorful drinks I would approach and while trying not to seem strange ask if I could photo graph it.  I want to do more of these and will blog the process.  I hope to tackle more from the photo graphs later.  







CHOCOLATE COVERED OREOS AS A WELCOME GIFT.

Ian took very good care of us.  Once we arrived we dropped off our stuff in the room. When we returned we were greeted with a bottle of wine and these chocolate covered Oreos. These also had to be sketched.  I took a picture of the tray and will most likely do another sketch.




This is the last sketch before I was picked up.  This is the entrance spire to the Essex House. A very stylized perspective to give honor to this great Art Deco corner and spire.  I can't wait to ink this.  I will use a black Pentel brush pen so the line weight is hopefully interesting.  I will then scan the line work because I would like to try water soluble graphite and get a night image and accentuate the lights.





CARTOON SKETCH PLAN

These two images are how I think big picture on the sketches I want to do and basic formatting. This is also where I decide what to do on site and what to take home.  I used these to walk through my ideas with the owners as well. 

I hope you enjoy the sketches at least half as much as enjoyed creating them. Many need final touch up, labeling and scanning but I was impatient to share!

What a trip....more entries to come. 

Keep Drawing

James Nutt AIA













Miami Beach - The First Night of Sketching







THE CLEVELANDER POOL AND PATIO

This image was done on site and the first sketch of my first night's drawing. I really enjoyed this one. After a great dinner and wandering around with Leo and Marcy I took off to sketch as Leo went to sleep.  I choose this spot because it is from the opposite viewpoint from the sketch that got me here.The guy taking care of me was awesome and would even watch my stuff as I took bathroom breaks.  This Patio is crazy with people and this huge DJ stage that throws lights and music everywhere.  This was drawn completely on site and in the dark. It is always a surprise to see how the colors actually turn out.  The yellow is hard to see and much brighter the next day int the light.  I did this on purpose this time because the stage throws so much light onto the palm trees, the buildings, and the people.  The stretched fabric up top is the SP 4 sun deck and the C Level is directly above my head. I roughed the scene in with a pencil to get the "big rocks" in place and then went at it with a Lumacolor "B" tip pen.  Then I erased the pencil and used my travel kit loaded with Horadam transparent gouache.

On a side note, it is a random world and while having lunch in this space two former Ryan Coworkers from Minneapolis turned up. Jared  Olson and Gretchen Lundberg  were returning from a cruise and stopped in for a drink.  How crazy random.


The original


THE CLEVELANDER DJ

Sketch #2 of the first night.  This is the one sketch that keeps evading me.  This is my 4th or 5th attempt if you include my previous trips.  It is ok, but my least favorite of the trip. However, it was really fun to do.  It was a first attempt of on site ink wash (I loaded a water brush with Noodlers Polar Black and used a second water brush pen to control the water and flow).  Once I brought the image into Photoshop to reduce and send to the owner I accidentally hit inverse and like that better. I have pre prepped a few watercolor pages for a 6th attempt off of reference photos. This will not beat me.... It will not...


C LEVEL

C Level is a smaller but kind of exclusive bar on the roof top.  Lots of beautiful people very well dressed and having a good time. The views of the ocean and the skyline are simply amazing and there is a neon colored water fall that runs an entire wall. It was a little cool and windy while up this night so the waterfall wasn't in use, but I am told it is crazy and I believe it. It was cold enough I had a light jacket on.  I am supposed to do another sketch from images that will be sent to me.  Amusingly I was talking to guy (who happened to be a local architect about my age) and his girlfriend offered to trade me her dress for my jacket.  I think I can save this image by working on the entourage from photos.  If you are wondering....yes I still have my jacket.  Lumacolor "B" pen with my travel kit of Horadam gouache and Niji water pen.

At This point it was pretty late after the flight, the wandering, and the three sketches. I don't want to say what time it was but I can say the place was still going way stronger than I could ever think about going. It is very cool to have the very quiet, original, and historic Essex House and the constant party of the Clevelander and it's rooms separate.  They very much have everything covered here....What a crazy night.



A Sketchers Day Dream...The Flight and Thank You!



 Let's make up a trip.  A day dream.  Let's say you are on routine (getting a building permit) business trip for your client (Free People). This usually means travel to a beautiful places and having evenings to yourself. Say you do this (twice) in Miami Beach. Say you are a constant sketcher and stop at a very cool outdoor bar with this crazy shape that just has to be sketched. You pull out your kit, order your beer and just play while imagining this was your job.  ( I love my job but I would love for this to define my semi retirement) Say a few sketches really pop and you put it on your meager little blog online wondering who will enjoy it. AND what if the hotel saw it, and loved it, and called you about it. They say, I don't know what I want to do, but you have captured the spirit, etc etc.  What if they called you on the coldest day in Minnesota (-14 degrees - 44 windchill) in a decade and said, "We have decided to pay for your flight, and take care of you while you are here.  Just pick something before it gets crazy in February and we won't even give you direction. Just come and feel taken care of and do what you do." Add to this daydream that you didn't take vacation this year and decided to cash in miles and have  Marcy and Leo crash your room?  Then the hotel says that's fine and we will pick you all up and they can eat too!  Yeah right....dream on sucker! All you did was enjoy your beer and the beautiful people, and the pigments swirling around on your little sketch book. 

WELL, THIS DID HAPPEN, I KEPT WAITING FOR IT TO FALL APART AND IT KEPT GETTING MORE AND MORE REAL. NOW IT IS DONE AND IT STILL FEELS SUREAL. THANK YOU CLEVELANDER AND ESSEX HOUSE AND TOM BURCHETT, MIKE PALMA, IAN ABDON,AND CHRISTINA WARD! VIP TREATMENT TO A PERSON!

Anyone who follows my blog knows I love other people's process and assume people like to see mine. I have documented the trip. I produced about 14 images onsite and have plans for about 5 more. For the images on site I took periodic pictures. ( I also teach and these come in handy). I plan to to post the semi final images in about 3 blogs and then the process for each image later for the process junkies like me.

This first series is intended to give you a sense of what we left...frozen Minneapolis and crazy work...to being literally pampered in a beautiful hotel room and warm palm trees. I still feel like it was a dream although it was only earlier this week.

TO BEGIN:

I took this picture yesterday morning to show the people in Miami. This is the view outside my office. The little squares are ice houses. It looks like a small skyline but the frozen lake is large and flat and these houses are a long distance apart. But, this is just for reference as we head to Miami!



This morning we finished packing and woke up with what we thought was enough time. It had really snowed the night before and the car was covered and the trip in was slow with blowing snow. 

I travel a lot. However I was shocked at how packed the airport was. I never fly Sat morning, and this was alarming. Thank goodness for the family line they put us in or we wouldn't have made it.  We also stopped in the middle of the concourse and decided to CRAM everything together and skip the bag check in line. This was the move that let us make our flight. Well, that and bringing handsome Leo.  




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Warm ups on the plane. 

This is an image in top of a previously inked page. This is white gouache over the top of the dried ink.



Just some general sketching and painting to pass the time and warm up.  (I notice my palm trees were much less practiced than they are now as I am proof reading this!)


But after 6 hours of conference calls (3 projects) on Friday, a crazy crazy sat morning airport and barely making it (despite being there early), my butt is seated,  the email is set to manual, and I am on vacation and ready to relax and sketch. 



For warm ups I was able to knock out a couple of sketches for EVERY DAY MATTERS on the iPad


We did make it on to Miami and on time enough. We were picked up by the hotel and as such started our wonderful trip.




Once we land, Leo is still on board and carrying his weight.


Dinner

Dinner at the Clevelander and surprised that the main street closed to traffic for the Art Deco weekend!



Back in the room we are greeted with a bottle of wine and chocolate covered oreos....Plus a phone call from Ian....Seriously..we are treated well.

Isn't she just a beautiful person? I love this woman.


Leo LOVED the cookies...Loved them...Still talks about them...




Leo enjoying the room decor.....


Breakfast at a place that Marcy and I had a date back in ...well I don't like to think about the math but it was one of our first and we were here for the AIAS convention before we graduated and we were just dating then. I still remember the date vividly and eat here every time I visit.

I will post the rest of the sketches in other blogs (this is long enough) but it REALLY was a great vacation. We REALLY were taken care of in a way that I hadn't before. I REALLY felt appreciated for my art in a way that I never have before...so thank you. Everyone to a person was fantastic to us. Even when Leo was grumpy in the high end (AMAZING FOOD! WOW) Zen Sai.

Now to the sketches....I hope you open the next blog.






Sketch Process on the Clevelander Drawings

I love sharing process. I was reminded of one of my favorite Urban Sketches of late by a phone call. I had always intended to add the process shots that I always take.

I was in town to get a permit and had the evening free to walk around and sketch.  I passed The Clevelander and these awesome shapes just had to be sketched.


I positioned myself for the view I wanted, then ordered a beer, and then set up my minimal travel kit.  How often do you get shapes and colors like this to draw? Never....


There was a lot to see here so I skipped a few pages ahead in my book until I found two pages that could be removed as one.


First the layout with pencil to get the big pieces in. Then I started to commit with the pen. If you look closely you will see sometimes I follow the lead and sometimes I don't. I very deliberately move things to be proportional on the page.  I think the lines are washed out,  but I lay down a proportional grid first.  Usually I incorporate the golden mean on the page and try to put the intention giving shapes based on the grid. After that everything falls into place. There is as much choice on what not to draw as what to draw.



This is the nearly finished piece and my travel kit. 80% of what I draw is with this limited pallete.  A Pentel water brush, a kids kit filled with gouache (in this case, often watercolor) a pencil, a pen, and a sketch book.  This is pure happiness for me.  The staff got interested and had me surrounded at one point. That was rare experience and a lot of fun.


The final image!  I believe this image took about 45 minutes to an hour.

On the second round of permit comments I was able to visit and came to the same place, but much later in the evening. I blogged these earlier, but his is my favorite from that trip.  These were drawn in the dark so it is always a surprise to see exactly what the colors will be like. The building was white, but dark with a DJ in front of a bright screen.  I was trying to catch the contrast.  It was a fun evening.  There is no place to people watch like Miami.


I hope you enjoyed a peak into the process. 

James Nutt aia








AT-AT! A blast with Cardboard and Oil pastel - in Progress

"AT-AT!"
 
After a visit to Hazel's NE I was encouraged by how many people inquire about the "T-REX!".  I finally have some more of the cardboard from the original.
 
 
 
This is the final product. I will post a better picture once I can get it.
 












 
A detail shot. 


Laying in the sky. I was going for the orange to blue sky that I love so much on my drives home.  These are Crayola oil pastels. 
 

Last nights progress. Laying in the grey was pretty laborious because despite the erasure shield I still needed to scrap the pastel off of the ink. 
 

The beginning of color. Color a little, then a lot of scraping.
 

After the pencil underlay is no long useful and the inking is done I erased the construction lines. I don't typically do this, but for some reason tonight I did. 
 

Inking is finished. I place the drawing on the mantel several times during this process to look at it from a distance and see what is worth fixing.
 


The inking process using my pentel brush pen with Noodler's Polar Black.
 
 
 

Pencil is roughed in. Leo is helping me.  Notice the golden mean layout in the background. I always do this and then loosely follow it.  This helps me make good compositional decisions.
 


Placing the drawing on the mantel to check for areas that don't work. I noticed that it looks too long and skinny and realize I missed the lower portion. It really helps to step away from our work every so often and look at it critically.
 
 


My drawing, my helper, and the model.  A 1970s AT-AT given to Leo by a friend of ours. I have wanted to draw him for some time now.  This particular composition has been in my head for several months now.



 
 

An Evening or Two in South Beach Miami

Recently work took me to South Beach Miami where I had a few evenings free to wander and sketch. These are two of my favorites. I hope you enjoy them.  Watercolor, brush pen with warm grey ink, and a Noodlers Ahab flex fountain pen

with Polar Black. Both drawn and colored in relative dark so the colors are always a bit of a surprise!



 
These last two are iPad sketches using Procreate.
 

 
 
James Nutt

Digital pencil sketch -WBCA Gallery - Progress Shots and process


Recently I was invited to submit a piece of art for the White Bear Center of the Arts (WBCA) grand opening gallery.  On of my goals this year was to have art in a gallery.  This month I have two pieces!  I am so excited about that.  For the WBCA I had a hard time choosing because I teach two classes. I run one series on urban sketching and one series on iPad sketching.  I decided on this particular piece because it is maybe the first project where I realized this is more than a doodling, or study tool. This iPad sketching isn't a gimmick. This is FINALLY where technology for digital art gets sophisticated enough to become intuitive and simple enough.  We have finally crossed the line from early adopters to a true medium with its own strengths and weaknesses and demands a unique approach toward these abilities.

A big difference in this medium is the ability to undo and the ability to use layers (imagine 4-8 pieces of trace paper you can turn on or off, up or down, and rearrange).  If you are a person who believes deeply in proportion and how that equates to the minds understanding of beauty, this is a wonderful tool.

This project is also where I developed my approach to most of my iPad art. Meaning I start with my proportional underlay in blue that eventually gets turned off. I do my sketching on a layer on top of that. My shading and sunlight on a layer just below the sketching, and back ground color last and on a separate layer.  I teach this method at WBCA in my class, but of course there are a billion other processes and students have blown me away with fresh ideas. However, that is a separate and lengthy blog.

I referenced my blog and an explanation of my process in the art description for this peice, so let's get to it.

The image below is the final product.  I drew this almost a year ago but I believe this took me about 2.5 hours.  I had been playing with the program for about 2-3 months on and off.  I used the iPad app "ArtStudio" and my finger. At this point I had a stylus, but could never find it. What most people miss on digital sketching is the tactile touch and I kind of enjoyed the thought of using your finger to bring this back. Using your finger takes some getting used to, but not as much time as you might think. The super detail is achieved by really zooming in. Plus, at the time, all of the styluses were the size of your finger anyway, so I really didn't see the difference...plus I could never find it when I wanted to sketch anyway. Since then the stylus has gotten smaller and I keep one in my ever present sketch bag along with my pens and water color.

THE PIECE

This is the piece hanging in the gallery. I had "The Lab" in NE Minneapolis print it 20"x20" on a semi gloss fiber rag. At the time I created this the program couldn't print high res enough to do a 20x20 but John with The Lab had a photo shop fractals program that did the trick. You learn something everday!  I did a simple frame with no glass. I may apply glass later, but I like the look and figure the gallery is full of people who know not to abuse the print.

I thought it would be fun to display a digital sketch, of a regular pencil, sharpened by hand, that doesn't look much like a digital sketch and drawn by a finger.  Also, I am a believer that if you sharpen your pencils this way they last 50 times longer and you get a huge variety of tips to solve what ever you are trying to describe. Pencil sharpeners waste so much in their efficiency and consistency. Plus, they are never around anyway.



THE PROCESS

I am a deep believer in using the golden mean to layout art, buildings, everything. I truly believe a proportional system is a deep secret to beauty. I also believe any system works, our minds search for order and are happy when they find it, even if they don't know how or why. The golden mean is old and my favorite.  I have designed building with this ( Two Market Pointe on 494 and France and the parking garage for the University of St Thomas at Grand and Cretin) and people love them. I have design without this system to a collective....hhhmmphh..its ok..Long story short, I am a believer.

I almost always start digital and real work with literal blued lines or mental subdivisions (after so much practice and positive feedback I have a hard time not doing the subdivision) .  This is an example for this project.  This is a screen shot showing the program interface and my screen.




From there I start to layout the detail lines. I am not using the proportional system to this level of detail, but I am looking at it while zoomed to to make sure the spaces feel right.  The blue lines will eventually be turned off. I sketch in this way until I am ready to commit.





From there I create a new layer and start to lay down the black. I set the line weight to have a heavier start and stop. I  also draw with this method using regular pens and pencils. I do this because it is how I draw anyway and also to knock out the over consistency that I am not crazy about in digital art. (unless that is the embraced style and the artist owns it, but too often it looks to artificial for me). Note that the blue lines are still turned on.



On the left you can see my layers of blue lines, pencil, shading and back ground.  In this step I am starting to lay in the shading. Note that after printing it large I wish I had left the shading at this point.  I still love the image but think this is was more powerful. Just like water color, it is easy to go a few steps too far. Unlike water color I could go back into the program and fix this (but I would still need to repay to reprint, but not to repost :)  )



Without the screen shot of the program and process this is the semi shaded progress shot. I took progress shots because (I love progress shots and ) I thought it might be fun to teach this someday.





Final Shading with the proportional lines layer still on.



From here I started playing with a the gradients I might use.  You have a lot of options and I thought a radial gradient at the point of the pencil would be a great start. Note that since this is on a separate layer I can play with a lot of options and not commit.  However I wanted to set the background so I could decide on the tonality of the rest of the shading.


This shot is before any color is added and I have started to shade the body of the pencil. There are a lot of brushes and pencil options. Straight line, as if with a ruler and free hand as well.  Also fuzzy painterly effects and crosshatching too. You can control all of this, or just use the defaults which are typically all you need. There are a ton of customizing options and you can go as far down that rabbit hole as you care to go.  As long as you don't get lost and keep an eye on the big picture it is ok. If you are the type person who can't, just leave the options alone and use the great default options with minimal tweaking.  I try to emphasize this in my class, but some people just have the push the buttons if they are there! (You do learn a lot that way, but sometimes the hard way)


I have worked primarily in black and white to this point, but have decided the background could use some color.  I use the same gradient, but a blue that I love and that will let the pencil stay "forward"


I debated about this last move of the smoke a lot.  I wanted the piece to have some meaning beyond the literal. I also thought it looked a ton like a smokestack once I put the blue in. So I saved it both ways and over time have come to love the smokestack industrial pencil. Smoke is simply a pencil tool using white and really ramping up the "jitter" command available for that tool.

THE FINAL PIECE AS HUNG IN THE GALLERY


When you are drawing on the back lit iPad screen you can draw in the dark while (sort of ) watching TV with the rest of your family. This is so mobile with no clean up I have also done art on planes, in bars while traveling alone, anywhere. All of the art supplies are free as long as you have the $500 piece of paper (the iPad itself - drumroll please)

I really hope you enjoyed this and maybe learned something. I did this sketch over a year ago and it was really nice to revisit it.

Keep drawing!

James Nutt, AIA




2013 State Fair Sketchout

I will add more text to each image later, but I wanted to get these images posted. This years State Fair sketch was a blast but very very very hot.  I will write the story and medium for each image in the next couple of days. Check back in!
 
 
 





 
 
 
 





Miami Beach Drawings

One of the perks of my job is to travel occasionally. Most of the time I have evenings free to explore and .... of course sketch. This week I was in Miami Beach just in time to start a new sketch book. I also took a lot of progress shots of these drawings and will post them individually later.
 
The best part is finishing off a weeks worth sketching by teaching my Urban Sketching glass at the White Bear Center for the Arts followed up by a class taught by Daniel and Amber for the AIA in the morning. I should be warmed up for the Tuesday St Fair all day sketch!
 
God I love drawing
 
This is the weeks Harvest.
 
First is a mid morning warm up waiting for the plane to take off. Pencil underlay, Staedler Permanent Lumocolor Fine pen, my travel watercolor set.
 
 
 
Recently I have found a group called everyday matters. 365 drawing challenges to go through. #2 was draw a lamp. Sitting in the plane I had 3 right in front of me that probably rarely get sketched. Pentel brush pen and Lexington grey Noodlers ink
 
 
Channeling my inner Dave Worfel from the sketchers group I drew a plane detail from my window. Pencil underlay, Staedler Permanent Lumocolor Fine pen, my travel gouache set.
 
 
On my first night in South Beach I walked up and down looking for a good people watching and sketching place. This place, "The Clevelander" was just too awesome. I had to draw it. There were as many choices of what not to draw as what to emphasize. I wish my pad was taller, but I think I got the feel of the evening. Pencil underlay, Staedler Permant Lumocolor Fine pen, my travel gouache set.
 
 
Sitting in the same place I tried a palm tree without resorting to lines. I am still working on this technique. My challenge is to make it look finished. I am not there yet, but this was fun.
 

 
On the second night I sketched at the restaurant the hotel I stayed was associated with. "The Quinn" was fun to sketch from and a good view. I had an appetizer of Ceviche to start and it wound up being a whole meal both is size and in price.  It also started raining like crazy and I was semi outside but didn't have to move. That was interesting. Pencil underlay, Staedler Permanent Lumocolor Fine pen, my travel gouache set.
 

 
 
On the flight home, Every Day Matters #3 was draw your wallet. Mine is worn out and fun to capture. This needs color put to it before I post it.  Pentel brush pen and Lexington grey Noodlers ink

 
I hope you enjoyed it. Keep Sketching!
 
James Nutt AIA

Water soluble Graphite and Carbon

Playing with water soluble graphite and Carbon



 I have been experimenting lately with water soluble Graphite and Carbon.  Wet Paint had a sample to play with behind the counter.  I made the mistake of spending a few minutes with it.  The possibilities bugged me and bugged me until I went back to purchase it.

At first I bought the carbon disk - Viarco water-soluble carbon disk. Mainly because of the extreme black that seemed easier to get than the graphite.  Also, it cost around $10 and the Viarco artgraf was a little more than $20. However, it did come in a little tin.




My first experiments are below. I used water directly on the disk with a regular water color brush. I also used a plate to keep a mixture of water and carbon. Later I changed to a seashell. This first round was really just playing and also mixing with water color to see what happened.



I really loved using the carbon. It acts a lot like some of the watercolors that are heavier. Daniel Smith makes a water color made from pipestone that acts similar in that the pigment doesn't float around and decide what it wants to do but seems impatient to settle in. Not exactly the same, but kind of close.
The other thing, is that when you are painting and everything is wet, it is really beautiful BLACK and Shiny.  It reminded me of a comedian who described wanting his coffee Blackty Black Black. But two things happen when it dries. It is not as intensely black, and you get a ton of interesting effects you don't see until it dries. The images below are not my first attempt, but show this effect really well.
I had seashells on my desk and decided they were a great subject. Plus I owe a friend a drawing of these since she picked them up for me on her vacation.

First I got the watercolor paper very wet and with a brush painted the outline and let the carbon do whatever it wanted to.



I let that set for a few minutes to settle down and added lines from the shell.
I added another, very heavy wash around the outside seeing how dark I could get it.  I have done this a couple of times in this image.
This is the "finished" product. Note that it isn't nearly so dark, but beautiful, and the hard edges are great. If I were to continue this I would start with a more carbon/less water brush and start to detail out the shell.


Another experiment, done while the sea shell rested, was to use the disk to draw on the paper and then apply water.


This image is after the carbon was on the paper and using a water loaded brush to move it around. I used the brush handle to score a horizon line to see what would happen.

This is the finished product. You can really see the line of the brush handle.  Also note that even though the black is so shiny and wet, your brush strokes will show up when it dries. See the "first line of trees". I did this with the brush loaded with a little carbon to see if it would show up when dry.  Fun stuff.




A few "finished" projects with the Carbon and progress shots











It took several layers reapplied after it dried to get this black.

THE GRAPHITE

I went back to Wet Paint for some other stuff. I was curious about the graphite.  I thought maybe the blacks wouldn't be as black, but the greys were probably softer and subtle.  I lamented that I didn't want to spend $20 and was promptly shown the exact same stuff in a drawing stick for $3-4 dollars.  Perfect, because I think it would be fun to draw with as well and small enough to put in my pack.

The graphite acts very much the same and I am still getting used to it. My first attempt was my hat.  You can see by the image below the blacks aren't as black but the greys are much softer.



My next step with the hat is to add a splash of watercolor. I understand the graphite (and carbon) are not water proof once they dry so I am curious to see the result. I will post the process once it happens!


I hope this was helpful. I love this stuff.

Keep drawing,

James Nutt, AIA

Cup and Cone White Bear sketch

This fun sketch was done from the Caribou Coffee window in White Bear Lake, MN.  I think this place just celebrated 40 years.  I met my confirmation mentee here to finish his faith statement.  I sketched at the small table as he wrote between our talks so he didn't feel I was watching him write. 



My tools here are Daniel Smith watercolor in my tiny travel kit, Pentel brush pen force fed with Noodlers Lexington grey, and a water pen. I have same kit loaded with Roz Stendhal's Schmincke Horadam gouache palette. I use this small arsenal on about 80% of my out of the studio work these days. 

I love seeing everyone's work!

James Nutt, AIA

Drawing in Church - again...

Doug Mitchell speaking about the Trayvon Martin mess at Westminster Presbyterian Church. Painted " Plein Pew
With pentel brush pen loaded with Lexington Grey and quick water color.